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Santa Fe Gallery Location

Santa Fe Gallery Now Open

150 West Marcy Street, Suite 103, Santa Fe, NM, 87501

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faustgallery

45+ years of museum-quality art and jewelry specializing in American Indian & contemporary. Santa Fe Gallery 150 W Marcy St, Santa Fe, NM, 87501

This exceptional 14k gold tufa cast bracelet showc

This exceptional 14k gold tufa cast bracelet showcases the extraordinary talent of Master Navajo jeweler Ric Charlie. Renowned as one of the foremost artists in Tufa casting, Ric achieves remarkable detail through his meticulous carving of tufa stone—a volcanic rock—at various depths. This 14k gold bracelet features a stylized Navajo Yei mask, with the eyes in smokey Bisbee turquoise and the mouth beautifully set with lapis. Ric enhances the design with vibrant coral dots and diamonds. The intricate multi-level carvings he achieve make this pieces wearable art.
Dimensions: 1″ W
Bracelet Size: 5″ 5/16th
Bracelet Opening: 1″ 1/8th

faustgallery.com

Wichita jeweler Dina Huntinnghorse creates exquisi

Wichita jeweler Dina Huntinnghorse creates exquisite 18k gold bracelets that blend traditional styles with contemporary design. Her journey in jewelry-making began in 1996, inspired by her late husband, Herbert Taylor. This gold bracelet features three traditional-style bears adorned with heart lines arranged in a captivating rug pattern. The textured background enhances the beauty of the polished gold, creating a striking contrast.

Dimensions: 1″ 1/4 W
Bracelet Size: 5″ 5/8th
Bracelet Opening: 1″ 1/4

Al Qoyawayma (b. 1938) Charles Supplee (b.1959-202

Al Qoyawayma (b. 1938)
Charles Supplee (b.1959-2021)

This bronze sculpture is by two prominent Hopi artists, Al Qoyawayma and Charles Supplee. Al is known for his highly detailed modern Hopi pottery, and Charles for his intricate inlaid jewelry. Together, they collaborated on this sculpture depicting a Hopi Maiden wrapped in a blanket. She even has a stylized necklace. Both artist signed this bronze in the back near the wood base.
Dimensions: 11″ H
Year Made: 1991
Edition: 11/30
Medium: Bronze Sculpture

View online faustgallery.com or in our Santa Fe Gallery 150 West Marcy Street, Santa Fe, NM, 87501 Suite 103

Quaid Shorty (b.1999) Quaid is an up-and-coming je

Quaid Shorty (b.1999)
Quaid is an up-and-coming jeweler taking after his father, Perry Shorty. This sterling silver bracelet with three coral stones is handmade after traditional Navajo jewelry. He added twisted wire to the scrollwork style. Quaid hand stamped and added detailed repousse on the sides. He signed the back of this bracelet with “QES.”

Dimensions: 5/16th W Taper to 3/8th
Bracelet Size: 5″ 7/16th
Bracelet Opening: 7/8th

Zoe Urness is from the Pacific Northwest, where sh

Zoe Urness is from the Pacific Northwest, where she learned about Tlingit culture. She attended the Brooks Institute of Photography and then moved to Santa Fe, New Mexico, where she uses photography to share American Indian Culture and history. Zoe has won multiple first-place awards and a Pulitzer Prize for her photography.
“I continue to use my camera as a tool to link the past and present by photographing subjects with connection to the land and traditions.”
Zoe Urness - (Tlingit Alaskan Native)
Photo Dimensions: 20″ 1/2 W X 16″ 1/2 W
Maple Wood Frame: 28″ L X 24″ 1/2 W
Title: “Starry Night”
Medium: Photography
Editon: # 4/15

Charles Loloma (1921-1991) Charles Loloma is recog

Charles Loloma (1921-1991)
Charles Loloma is recognized as the father of contemporary American Indian Jewelry today. It wasn’t until the 1950s Loloma created jewelry. This sterling silver bracelet was made in the 1970s, and Charles called it his “Corn Row” style. The Hopi have a strong connection to corn, which Charles cut and inlaid the turquoise, lapis, coral, and ironwood to resemble stylized kernels. This bracelet is signed “Loloma.”

“Corn is at the heart of Hopi life and rituals. It is the sustenance of the Hopi people, physically and spiritually, and is integrated into every aspect of their lives. Corn is used in many ways to create food, from piki bread to blue corn dumplings (pevelpiki). The corn is used to make ceremonial hominy stew, to wrap cornmeal with various meats using the leaves, to create various types of ground corn puddings using the husks, and to wrap prayer feathers. The kernels are ground into fine cornmeal used in countless dishes. It is rare to find a Hopi meal that does not include corn. A perfect ear of white corn is placed with a newborn baby to symbolize the Hopi connection to corn. A child is given another perfect ear of white corn during their initiation. Cornmeal is used for prayer, to feed the spirits, and in every ceremony. The ceremonies and prayers are for moisture to ensure good crops of corn and other vegetables to sustain Hopi life. And finally, at the end of life, cornmeal is used to send a person off on their journey to the next world”.
- Sonwai (Verma Nequatewa)

faustgallery.com

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